Josef Lauer, 1839 - Blumenstillleben - kunsttrykk

(© - av Belvedere - www.belvedere.at)

The magnificent flower and fruit bouquets that have arisen in the early 19th century in the imperial city Vienna, can not be described as a Viennese invention. Det er snarere et spørsmål om å ta et løp i det nederlandske maleriet fra 17- og 18-tallet i toppform bildetype. Wienerkunstneren kjente mange av disse verkene fra samlingene til den østerrikske adelen, Academy Gallery og Imperial Picture Gallery. Av disse praktfulle arrangementene ble til slutt tankeløsheten tatt i utvalget av blomster og frukt, som for det meste fant sted etter farge og formelle kriterier, men som sjelden reflekterer virkeligheten fordi mange av de forente i maleranlegget aldri finner hverandre i virkeligheten som de forskjellige tidene. blomstre. Avgjørende for denne visuelle og farget "Fyrverkeri" smaken av kjøperen, så vel som dens tendens til dekorative var. Som grunnlag for en optimal kombinasjon ble derfor studieblader brukt av blomster som fantes både i blomstermalerskolen til Imperial Academy of Fine Arts og i de forskjellige drivhusene. I forbindelse med utsmykkede vaser, begre eller små skulpturer, bak fangst av landskapsutsikter eller viktige malerier fra fortiden, utviklet disse representasjonene etter hvert fantasifulle strukturer som møtte kundens behov for representasjon. De ble sett på som juveler, som en pryd for salongen. Wienerhumoren i disse maleriene gjenspeiles i de rike fargene og en nesten taktil, sanselig tilstedeværelse av motivet. In this richly varied variety of still life, the works of Josef Lauer take from almost simple. Lauer did not try the viewer's eye through a form and color noise to hide, because he built his bouquets on only a few individual elements. It is also just about a bunch of wild roses, which has been joined by a winch. The flowers were placed in a large glass and parked in a stone window niche without a formative hand would have taken a closer look it. The chance to be decisive here. For this, the Rosenzweig carelessly lying at the foot of the glass speak as well as on all sides down tending flowers. So it was not the optimal presentation of plants, which sought the artist here, but the reference to their naturalness. However, for lurking this naturalness also had in turn limits, because as far as the slightly older colleague Ferdinand Georg Waldmüller (1793-1865), of the roses has held in its various stages of bloom up to the state of withering in the picture, he still was not able to walk. In addition, a certain urge to elaborate figures makes itself in the present illustration noticeable is like to see the course of the creeping ivy, or even in the lighting, which specifically emphasizes one or another detail. The leaves and flowers but refer to a detailed study of the nature, the exact reproduction of what is seen is particularly evident in the detailed drawing of red rows of prongs on the rose branches to buds. This accurate representation of natural forms is based on meticulous studies that the artist already operated as a student at the Vienna Academy and a life has continued for. Et bemerkelsesverdig trekk ved stillebenene til Josef Lauer er også inkluderingen av fugler og insekter i bildene hans. So also this bouquet buzz around ever so slightly more butterflies, as an admiral and a cabbage white at the bottom. Top left you see a burnet, also called blood droplets, and in the center of the image rests a male Bluebird with half the collapsed wings on a rose petal. The green iridescent beetle on flat stone is a rose beetle which probably nibble of the fallen to the ground Rose pollen.

Spesifikasjoner for kunstverket, som har tittelen "Blumenstillleben"

In 1839 maleren Josef Lauer painted the 19th century work of art. The original was painted with the size: 52,5 x 45 cm - rammedimensjoner: 65 x 54 x 7 cm and was manufactured on the medium oil on canvas. The artwork's inscription is - "signed and dated lower right: Jos: Lauer 1839". It forms part of the Belvedere's digital collection located in Wien, Østerrike. Vi er glade for å kunne konstatere at offentlig domene mesterverket leveres med tillatelse fra © Belvedere, Wien, varenummer: 8045. I tillegg har kunstverket kredittgrensen: overføring fra Kunsthistorisches Museum, Wien i 1987. Videre er justering i portrett format med et bildeforhold på 1: 1.2, noe som innebærer det lengden er 20% kortere enn bredden. Josef Lauer was a male painter, whose artistic style can be classified as Realism. The European painter was born in the year 1818 in Vienna, Vienna state, Austria and died at the age of 63 in 1881 in Vienna.

Valgbare materialer

For hvert produkt tilbyr vi en rekke forskjellige materialer og størrelser. Du kan velge mellom følgende produkttilpasningsalternativer:

• Aluminium dibond trykk: This is a metal print made on aluminium dibond material with a true depth. The colors of the print are luminous, fine details are crisp and clear.
• Akryl glass utskrift: A glossy acrylic glass print, often labelled as a plexiglass print, will turn the original artwork into décor. Beyond that, the acrylic print forms a distinct alternative option to aluminium and canvas art prints. The artwork is being made with the help of modern UV print machines. This creates deep and rich colors. The major upside of an acrylic glass print is that sharp contrasts as well as granular image details will be more visible with the help of the fine gradation of the print. The real glass coating protects your selected art print against sunlight and heat for many years to come.
• Trykt plakat (lerretmateriale): De Artprinta poster is a printed canvas with a slight texture on the surface. It is ideally suited for framing your fine art print in a personal frame. Please note, that depending on the size of the poster print we add a white margin of around 2-6cm round about the print motif to facilitate the framing with your custom frame.
• Lerretstrykk: The canvas print, not to be confused with a painting on a canvas, is an image applied on a cotton canvas. What is more, canvas generates a soft, pleasing appearance. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang your Canvas print without additional wall-mounts. Canvas prints are suitable for any kind of wall.

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