Theodor von Hörmann, 1893 - Esparsettenfeld bei Znaim II - kunsttrykk

Informasjon om det trykte produktet

Dette mer enn 120 year-old artpiece "Esparsettenfeld bei Znaim II" was painted by the painter Theodor von Hormann. Originalen ble malt med størrelsen: 22 x 48 cm - rammedimensjoner: 34 x 61 x 3 cm og ble malt med teknikk of olje på lerret på tre. Moveover, the piece of art can be viewed in in the collection of Belvedere, which is located in Wien, Østerrike. Vi er glade for å kunne konstatere at kunstverket, som er en del av offentlig domene blir gitt med tillatelse fra © Belvedere, Wien, varenummer: 1202. Videre har kunstverket følgende kredittgrense: dedication Theodor Hammerle in 1911. Dessuten er justeringen i landskap format og har et sideforhold på 5: 2, noe som betyr at lengden er to og en halv gang lengre enn bredden. The painter Theodor von Hörmann was an artist, whose art style can be attributed primarily to Realism. The Realist artist was born in 1840 in Imst, Tirol and died at the age of 55 i året 1895.

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In the dropdown menu next to the article you can choose your individual material and size. You can choose among the following product customization options:

• Plakatutskriften (lerretmateriale): Our poster print is a printed flat cotton canvas paper with a granular finish on the surface. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2 - 6cm around the print motif in order to facilitate the framing.
• Akrylglassprint (med ekte glassbelegg på toppen): The print on acrylic glass, which is sometimes referred to as a UV print on plexiglass, will convert your selected original work of art into stunning décor. The plexiglass with real glass coating protects your selected art print against sunlight and external influences for many more years.
• Aluminium dibond trykk: An Aluminium Dibond print is a print with a true depth. The non-reflective surface structure creates a fashionable look. The Direct Print on Aluminum Dibond is your best introduction to art replicas on aluminum. Colors are luminous and bright in the highest definition, the fine details of the print appear very clear.
• Lerretstrykk: The canvas direct print is a printed canvas stretched on a wood stretcher. It has a exclusive effect of three dimensionality. Furthermore, a canvas print creates a cosy and appealing atmosphere. The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang your Canvas print without the support of additional wall-mounts. A canvas print is suited for any kind of wall.

Viktig informasjon: We try the best we can to depict our art products as closely as possible and to exhibit them visually in our shop. At the same time, the colors of the print products and the print result may differ to a certain extent from the representation on the screen. Depending on your settings of your screen and the quality of the surface, not all colors are printed as realistically as the digital version on this website. Considering that the are printed and processed by hand, there might as well be slight discrepancies in the exact position and the size of the motif.

Vareinformasjon

Bakgrunnsdata om det originale kunstverket

Artist metadatabord

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Artwork description from the museum (© Copyright - by Belvedere - Belvedere)

Hörmann combined in his works both characteristics of realism and impressionistic style of painting - this smaller version of the Esparsettenfeldes comes impressionistic pictures next. Otherwise used as the circle around Schindler Hörmann early a bright color palette with z. T. bright colors. The picture was taken shortly after Hörmanns Paris stay - possibly the narrow horizontal of Daubigny is affected. However, the impasto brushwork reminiscent of van Gogh. In the smaller version Hormann overcame any Kleinteiligkeit colored surfaces, which is conferred by different directions dynamics. The brush strokes follow the differently oriented surfaces, so that a color braid in impressionistic sense emerged. [Dietrun Otten, 2/2002]