Master of Frankfurt, 1520 - St Barbara - kunsttrykk

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The masterpiece was painted by the artist Master of Frankfurt. The more than 500 år gammel originalversjon hadde størrelsen: høyde: 158,7 cm bredde: 70,8 cm | høyde: 62,5 i bredden: 27,9 tommer. Olje på panel was applied by the painter as the medium of the artwork. Today, this piece of art is in the the collection of Mauritshuis, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. The klassisk kunst mesterverk, som tilhører offentlig domene er inkludert med høflighet av Mauritshuis, Haag. Dessuten har kunstverket kredittgrensen: George Grenville, first Marquess of Buckingham, Stowe, before 1783, and his heirs; George Donaldson Gallery, London, before 1914; Walter von Pannwitz (1856-1920), Berlin, c.1914-1920; his widow, Cathalina von Pannwitz-Roth (1876-1959), Bennebroek and Heemstede, 1920-1940 (cat. 1926, no. 21); sold by her via W.A. Hofer to Hermann Göring, Berlin, 18 October 1940; Stichting Nederlands Kunstbezit (inv. no. NK 2555); on loan to the Mauritshuis, 1948-1960; transferred, 1960. I tillegg til dette er justeringen av den digitale gjengivelsen stående og har et forhold på 2: 5, noe som innebærer det lengden er 60% kortere enn bredden. The painter Master of Frankfurt was an artist, whose artistic style can be attributed mainly to Northern Renaissance. The artist lived for a total of 24 år, født i 1491 og avdøde i 1515.

(© Copyright - Mauritshuis - www.mauritshuis.nl)

George Grenville, first Marquess of Buckingham, Stowe, before 1783, and his heirs; George Donaldson Gallery, London, before 1914; Walter von Pannwitz (1856-1920), Berlin, c.1914-1920; his widow, Cathalina von Pannwitz-Roth (1876-1959), Bennebroek and Heemstede, 1920-1940 (cat. 1926, no. 21); sold by her via W.A. Hofer to Hermann Göring, Berlin, 18 October 1940; Stichting Nederlands Kunstbezit (inv. no. NK 2555); on loan to the Mauritshuis, 1948-1960; transferred, 1960

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Kunsttrykk som du kan velge mellom:

For hvert kunsttrykk tilbyr vi forskjellige materialer og størrelser. For å matche dine personlige behov perfekt, kan du velge mellom følgende alternativer for produkttilpasning:

• Trykt akrylglass (med ekte glassbelegg): The print on acrylic glass, often labelled as a print on plexiglass, transforms the original work of art into wall decoration. Your work of art is being manufactured with modern UV direct printing machines. This has the image effect of impressive and rich colors.
• Aluminium dibond trykk: An Aluminium Dibond print is a material with a true depth effect. A direct Aluminium Dibond Print is the perfect introduction to art replicas on aluminum. For your Direct Print On Aluminum Dibond, we print the chosen work of art on the aluminium surface. The bright and white parts of the artpiece shimmer with a silk gloss, however without the glow. The colors of the print are luminous in the highest definition, the fine details appear clear and crisp, and the print has a a matte look that you can literally feel.
• Plakat (lerretmateriale): A poster print is a UV printed flat canvas with a slightly roughened structure on the surface. It is particularly used for putting your art copy using a customized frame. Please note, that depending on the absolute size of the poster print we add a white margin of something between 2 - 6cm around the work of art, which facilitates the framing with your custom frame.
• Lerretstrykket: The UV printed canvas material applied on a wooden frame. A canvas makes a typical effect of three-dimensionality. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang your Canvas print without extra wall-mounts. Because of thata canvas print is suitable for all types of walls.

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Viktig informasjon: We do everything in order to describe the products as clearly as possible and to illustrate them visually. Nonetheless, the colors of the print materials, as well as the print result might differ somehwat from the image on the device's screen. Depending on the screen settings and the nature of the surface, color pigments might not be printed one hundret percent realistically. Given that the fine art prints are processed and printed manually, there may also be slight differences in the motif's exact position and the size.

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