Mester i Heiligenkreuz, 1400 - Jomfruens død - kunsttrykk

Informasjon om kunstreplika Jomfruens død

Dette klassiske kunstverket med tittelen Jomfruens død was created by the northern renaissance artist Mester i Heiligenkreuz i året 1400. Den 620 year-old original version of the masterpiece measures the size - Image: 66 x 53,3 cm (26 x 21 in); Framed: 74 x 61,5 x 4,5 cm (29 1/8 x 24 3/16 x 1 3/4 in); Unframed: 71 x 54 cm (27 15/16 x 21 1/4 in). Tempera and oil with gold on panel was used by the artist as the technique for the masterpiece. The artwork is included in the collection of The Cleveland Museum of Art. With courtesy of: Cleveland Museum of Art (lisens: offentlig domene). Kredittgrense for kunstverket: Gift of the Friends of The Cleveland Museum of Art in memory of John Long Severance. Videre er justeringen av den digitale reproduksjonen portrett og har et sideforhold på 1: 1.2, Noe som betyr at lengden er 20% kortere enn bredden. Master of Heiligenkreuz was a painter, whose artistic style can be attributed mainly to Northern Renaissance. The painter lived for , born in 1400.

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Vi tilbyr en rekke forskjellige materialer og størrelser for hvert produkt. Vi lar deg velge favorittstørrelse og materiale blant følgende alternativer for produktindividualisering:

• Trykt plakat (lerretmateriale): De Artprinta poster is a UV printed sheet of canvas with a nice surface finish. The poster print is excellently appropriate for placing the art copy with a special frame. Please note, that depending on the size of the poster we add a white margin between 2 - 6cm around the work of art, which facilitates the framing with your custom frame.
• Trykk på blank akrylglass (med ekte glassbelegg): The print on acrylic glass, which is often denoted as a UV print on plexiglass, will transform your favorite original work of art into brilliant home decoration and forms a distinct alternative to canvas and dibond prints. The work of art is made with state-of-the-art UV print machines.
• Aluminium dibond (metalltrykk): Aluminium Dibond prints are metal prints with an outstanding effect of depth - for a modern impression and non-reflective surface structure. The Aluminium Dibond Print is your perfect start to art reproductions on aluminum. For our Direct Print On Aluminum Dibond, we print your artwork onto the aluminium composite white-primed surface. Colors are luminous in the highest definition, fine details appear clear and crisp, and you can truly perceive the matte appearance of the art print surface. This UV print on aluminium is the most popular entry-level product and is an extremely contemporary way to showcase art, because it draws focus on the whole artwork.
• Lerretstrykk: A UV printed canvas stretched on a wood stretcher frame. Hanging a canvas print: The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang up the Canvas print without the help of any wall-mounts. Canvas prints are suited for all types of walls.

Juridisk ansvarsfraskrivelse: We try whatever we can in order to depict our art products as clearly as possible and to illustrate them visually on the product detail pages. At the same time, the tone of the print materials and the printing might diverge to a certain extent from the image on your device's monitor. Depending on your screen settings and the condition of the surface, color pigments may not be printed as exactly as the digital version shown here. Given that the art reproductions are printed and processed manually, there may as well be minor discrepancies in the size and exact position of the motif.

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Denne teksten er beskyttet av copyright ©, Artprinta (www.artprinta.com)

Original artwork description from the museum's website (© Copyright - The Cleveland Museum of Art - Cleveland Museum of Art)

Christ’s apostles visit the Virgin upon her deathbed. Saint Peter, wearing white robes and the papal tiara, performs funerary rites, reciting prayers and sprinkling holy water on the Virgin’s body. Above, angels engraved upon the golden background celebrate the assumption of the Virgin heavenward. Once joined to another panel titled The Death of Saint Clare (National Gallery, Washington, D.C.), this double representation of saintly deaths may have been used in funerary services in the convent of Clarissan nuns for which it was made.