Eugène Delacroix, 1843 - Spøkelset på terrassen - kunsttrykk

Art produkt forklaring

In 1843 de mann Fransk artist Eugène Delacroix opprettet 19. århundre maleri navngitt The Ghost on the Terrace. Det hinsides 170 year-old original version measures the size: Image: 10 3/16 x 7 1/2 in (25,8 x 19,1 cm) Sheet: 11 7/16 x 8 7/16 in (29 x 21,5 cm). Lithograph, first state of five was applied by the European painter as the medium of the artwork. Moveover, this artwork is part of the digital art collection of The Metropolitan Museum of Art. With courtesy of: Metropolitan Museum of Art, New York, Rogers Fund, 1922 (licensed: public domain). : Rogers Fund, 1922. Furthermore, alignment is portrett og har et sideforhold på 3: 4, Noe som betyr at lengden er 25% kortere enn bredden. Eugène Delacroix was a painter, whose artistic style can be attributed mainly to Romanticism. The French painter was born in the year 1798 i Saint-Maurice, Val-de-Marne og avdøde i en alder av 65 i året 1863.

Velg variant av kunsttrykk

For hvert produkt tilbyr vi en rekke forskjellige materialer og størrelser. Vi lar deg velge mellom følgende varianter:

• Glanset akrylglassprint (med ekte glassbelegg på toppen): The acrylic glass print, which is sometimes labelled as a UV print on plexiglass, makes the original into décor. Your own replica of the work of art will be printed with the help of state-of-the-art UV printing technology.
• Plakatutskriften (lerretmateriale): The poster print is a UV printed canvas paper with a nice surface texture. It is optimally used for placing your fine art print with a customized frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm round about the painting to facilitate the framing.
• Lerret: The UV printed canvas material mounted on a wooden stretcher frame. Additionally, a canvas print generates a charming and positive look. The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang the Canvas print without any wall-mounts. Because of thatcanvas prints are suited for any type of wall.
• Aluminium dibond: Aluminium Dibond prints are metal prints with an outstanding depth - for a modern impression and a non-reflective surface. A direct Direct Print on Aluminum Dibond is the best introduction to the sophisticated world of fine art reproductions with aluminum. The white and bright parts of the artwork shine with a silk gloss but without the glare. This print on Aluminum Dibond is the most popular entry-level product and is an extremely stylish way to showcase fine art reproductions, because it puts 100% of the viewer’s focus on the artwork.

Ansvarsfraskrivelse: We try whatever we can to depict our products as accurate as possible and to showcase them visually in our shop. Nevertheless, the colors of the print products and the imprint may vary slightly from the presentation on your device's monitor. Depending on your screen settings and the condition of the surface, colors can unfortunately not be printed one hundret percent realistically. Given that all the art reproductions are printed and processed by hand, there may as well be minor discrepancies in the motif's exact position and the size.

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Ytterligere spesifikasjoner fra museet (© - av Metropolitan Museum of Art - www.metmuseum.org)

In 1834 Delacroix began a series of lithographs devoted to Hamlet, creating moody images that mirror the troubled psyche of the prince. Choosing key scenes and poetic passages, the artist's highly personal and dramatic images were unusual in France, where interest in Shakespeare developed only in the nineteenth century. Here, in act 1, scene 5, the prince has followed his father's spirit to learn that he is: ""Doom'd for a certain term to walk the night, / And for the day confined to fast in fires,/ Till the foul crimes done in my days of nature/ Are burnt and purged away." When the ghost reveals that he was murdered by Hamlet's uncle and demands revenge, his son responds with hesitancy with shocked surprise. Gihaut frères published the artist's thirteen-print set in 1843, with a second expanded edition of sixteen issued by Bertauts in 1864. Cooly received at first, the prints eventually were recognized as one of the artist's most significant achievements.