Andrea di Bartolo, 1415 - Korsfestelsen - kunsttrykk

Kunstverket med tittelen "Korsfestelsen"som en kunstkopi

In 1415 Andrea di Bartolo painted the piece of art. Today, this piece of art belongs to the Nasjonalgalleriet for kunst kunstsamling. Vi er glade for å kunne nevne at offentlig domene mesterverk er inkludert med høflighet av National Gallery of Art, Washington.Kreditt for kunstverket:. Dessuten er justeringen av den digitale reproduksjonen portrett med et bildeforhold på 2: 3, noe som innebærer det lengden er 33% kortere enn bredden. The painter Andrea di Bartolo was an artist from Italy, whose art style can mainly be attributed to Early Renaissance. The Italian artist lived for a total of 58 år - født i året 1370 in Siena and deceased in the year 1428.

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• Lerret: A UV printed canvas material applied on a wooden stretcher frame. Canvas Prints have the advantage of being relatively low in weight. This means, it is easy to hang up the Canvas print without any wall-mounts. Hence, a canvas print is suitable for any kind of wall.
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• Dibond-trykk i aluminium (metall): These are metal prints on aluminium dibond material with a true depth effect. The colors are bright and luminous in the highest definition, details of the print appear crisp, and the print has a a matte appearance that you can literally feel. The direct UV print on Aluminum Dibond is the most popular entry-level product and is an extremely stylish way to showcase fine art prints, because it draws attention on the replica of the artwork.
• Akryl glass utskrift: A glossy acrylic glass print, often named a print on plexiglass, will turn your original into home décor. Your artwork is made with the help of modern UV print machines. It makes impressive and vivid color hues. The acrylic glass protects your chosen art print against sunlight and external influences for many years.

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Kunstskildring fra museet (© - av National Gallery of Art - National Gallery of Art)

Full Title: The Crucifixion (Reverse)

Middels: Tempera på panelet

Dimensjoner: Totalt: 28.6 x 17.8 cm (11 1/4 x 7 tommer) Innrammet: 52.7 x 34.3 x 7.9 cm (20 3/4 x 13 1/2 x 3 1/8 tommer)

Through his careful use of pose, expression and colour, Andrea di Bartolo made this crucifixion scene a highly emotive and painful one. Christ's pained face, the deathly colour of his body, and the red of his blood all work to reinforce the sorrow of the Crucifixion and the importance of Christ's sacrifice.

Tekst: Emily Wilkinson