Carlo Crivelli, 1472 - Saint Nicholas of Bari - kunsttrykk

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Saint Nicolas of Bari, patron saint of children, sailors, and travelers, and the prototype of Father Christmas, was bishop of Myra (Lycia) in Asia Minor during the AD 300s. His remains were said to have been taken to Bari in Italy during the 11th century. The saint is shown vested as bishop in an elaborately embroidered cope, fastened with a morse, and holding a crosier. By the mid-1400s, most Florentine artists had stopped using gold backgrounds in their pictures, preferring instead naturalistic backgrounds of landscapes and blue skies. However, elsewhere in Italy gold-ground painting remained popular, as in this painting by Crivelli, a a painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto where he absorbed influences from the Vivarini, Squarcione, and Mantegna. By 1458 he left the Veneto and was never to return; he spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that makes a contrast to his Venetian contemporary Giovanni Bellini.

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Dette kunstverket Saint Nicholas of Bari ble malt av Italiensk artist Carlo Crivelli. Det hinsides 540 år gammel original måler størrelsen: Innrammet: 109 x 41 x 6 cm (42 15/16 x 16 1/8 x 2 3/8 in); Uinnrammet: 96,2 x 32 cm (37 7/8 x 12 5/8 in) og ble malt med mediet olje på trepanel. Det hører til Cleveland Museum of Art digital collection. We are glad to mention that this work of art, which is part of the offentlig domene is being supplied with courtesy of The Cleveland Museum of Art. Creditline of the artwork: Gave av Hanna-fondet. In addition to that, the alignment is in portrait format with an image ratio of 1: 3, som betyr at lengden er 66% kortere enn bredden. Carlo Crivelli was a painter, whose style can primarily be classified as Early Renaissance. The painter was born in 1430 i Venezia, Venezia-provinsen, Veneto, Italia og avdøde i en alder av 65 år 1495.

Viktig merknad: We do the best we can in order to depict the products in as much detail as possible and to display them visually in our shop. At the same time, the tone of the print materials, as well as the printing may diverge marginally from the presentation on the screen. Depending on your settings of your screen and the condition of the surface, color pigments can unfortunately not be printed as exactly as the digital version. In view of the fact that all the fine art prints are printed and processed manually, there may as well be minor deviations in the motif's exact position and the size.

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