François Hubert Drouais, 1759 - Portrett av Marquise dAguirandes - kunsttrykk

Beskrivelse av dette maleriet fra François Hubert Drouais

In 1759 François Hubert Drouais created this work of art. The 260 år gammel versjon av kunstverket ble laget med størrelsen: Innrammet: 138,6 x 111,9 x 13,7 cm (54 9/16 x 44 1/16 x 5 3/8 in); Uinnrammet: 101 x 85,6 cm (39 3/4 x 33 11/16 in). Olje på lerret was used by the French painter as the technique for the work of art. Signed upper left: "Drouais fecit 1759" is the artpiece's original inscription. Moveover, this artpiece is part of the art collection of Cleveland Museum of Art. Med høflighet av Cleveland Museum of Art (offentlig domene). : Arv fra John L. Severance. Videre er justering i portrett format og har et forhold på 1: 1.2, noe som betyr at lengden er 20% kortere enn bredden.

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• Aluminium dibond trykk: An Aluminium Dibond print is a print with an impressive depth, which makes a contemporary look by having a non-reflective surface. A direct Aluminium Dibond Print is the best start to the sophisticated world of art prints with aluminum. For the Print On Aluminum Dibond, we print the selected artwork on the aluminium composite white-primed surface. Colors are luminous in the highest definition, fine details are very clear, and you can truly feel the matte appearance of the art print surface. The direct UV print on Aluminum Dibond is one of the most popular entry-level products and is an extremely stylish way to showcase art prints, since it puts the viewer’s attention on the image.
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• Trykt akrylglass (med ekte glassbelegg på toppen): An print on acrylic glass, which is often described as a UV print on plexiglass, makes your favorite original work of art into beautiful décor. Your own version of the work of art is being printed with the help of modern UV printing machines.

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Like many French portraitists active during the ancien régime, François-Hubert Drouais was skilled at veiling the physical imperfections of his subjects. This portrait certainly has this quality: the face has been idealized, smoothed, and perfected, but the focus of the painting is less on the Marquise and more on her elegant gown, which is a particularly fine rendering of eighteenth-century printed cloth, with the brilliant gold and white fabric strewn with meticulously detailed flowers and lace.