Moretto da Brescia, 1554 - Begravelsen - kunsttrykk

Background information on the art print named "The Entombment"

Entombmentet was created by the mannerist painter Moretto da Brescia. The 460 year-old original version of the piece of art had the dimensions: 94 1/2 x 74 1/2 in (240 x 189,2 cm) and was painted with olje på lerret. It can be viewed in in the art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: Metropolitan Museum of Art, New York, John Stewart Kennedy Fund, 1912 (lisens for offentlig domene). Creditline of the artwork: John Stewart Kennedy Fund, 1912. In addition to this, the alignment of the digital reproduction is in portrait format with a ratio of 1: 1.2, noe som innebærer det lengden er 20% kortere enn bredden. The painter Moretto da Brescia was an artist, whose artistic style can primarily be attributed to Mannerism. The Italian artist was born in 1492 og døde i en alder av 62 i året 1554.

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In the dropdown selection right next to the product offering you can select the size and material of your choice. Hence, we allow you to choose among the following options:

• Aluminium dibond trykk: Aluminium Dibond prints are prints on metal with a true depth. The Direct Print on Aluminum Dibond is your perfect introduction to the sophisticated world of art reproductions with aluminum. For the Direct Print On Aluminum Dibond, we print your selected artpiece onto the aluminium composite white-primed surface. The bright and white parts of the original artpiece shine with a silk gloss but without the glare.
• Lerretstrykk: A printed canvas, not to be mistaken with a painting on a canvas, is a digital replica printed on a UV direct printer. Further, a printed canvas produces a lively, pleasing impression. A canvas print has the advantage of being relatively low in weight. That means, it is easy to hang up the Canvas print without the use of any wall-mounts. Therefore, a canvas print is suited for any kind of wall.
• Trykt akrylglass (med ekte glassbelegg): The print on acrylic glass, which is sometimes described as a an art print on plexiglass, will convert the artwork into marvellous home decoration. Furthermore, it offers a good alternative option to dibond and canvas fine art prints. With an acrylic glass fine art print sharp contrasts plus painting details become identifiable with the help of the subtle gradation. Our acrylic glass protects your selected fine art print against light and external influences for many years.
• Plakatutskrift (lerretmateriale): De Artprinta poster is a printed flat cotton canvas paper with a granular texture on the surface. Please note, that depending on the size of the poster print we add a white margin between 2-6cm round about the print, which facilitates the framing with your custom frame.

Viktig merknad: We try all that we can to describe our art products as accurate as possible and to display them visually on the product detail pages. Nevertheless, the tone of the print products, as well as the printing can differ marginally from the presentation on the device's monitor. Depending on the settings of your screen and the quality of the surface, colors may not be printed as exactly as the digital version on this website. In view of the fact that all the are processed and printed by hand, there might as well be slight variations in the motif's exact position and the size.

Strukturert artikkelinformasjon

Bakgrunnsinformasjon om det originale kunstverket

Generell bakgrunnsinformasjon om artisten

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Ytterligere beskrivelse fra museets nettsted (© Copyright - av The Metropolitan Museum of Art - Metropolitan Museum of Art)

Moretto painted this moving altarpiece just before his death for the oratory of a confraternity in his hometown. Restoration has revealed the striking contrast between the somber faces of the figures and the dawn light playing across the sky and landscape. Members of the group would have meditated on the moments following Christ’s death and thought of the piercing grief of his mother and other followers, but also of the promise of life to come. When it entered the museum, its gravity and nobility reminded one curator of the music of Bach or the poetry of Milton.