Henry Ossawa Tanner, 1914 - Moonlight, Walls of Tangiers - kunsttrykk

59,99 €

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Original information about the artwork from the museum's website (© Copyright - Los Angeles County Museum of Art - Los Angeles County kunstmuseum)

Following his 1910 trip to Morocco, Tanner painted many scenes of Tangiers and exhibited them in Chicago at Thurber Art Galleries in 1911 and in New York at M. Knoedler & Co. in 1913. Although Moonlight: Walls of Tangiers has traditionally been dated 1914, based on William Preston Harrison’s authority, the painting may have been executed earlier, for several of the works exhibited in 1913 have similar titles, in particular one painting entitled Moonrise: Walls of Tangiers. Although the North African locale provided the same exotic scenery incorporated in Tanner’s religious images, the Moroccan scenes are not religious. The elimination of a narrative may have assisted Tanner in his exploration of the formal aspects of painting, for it is just during these prewar years that his art underwent its last stylistic change. Tanner used his views of the streets, walls, and arcades of the city to explore the phenomena of color and light, not in an analytical manner as did the impressionists, but rather in harmony with both his own romanticism and turn-of-the-century tonalist trends in Europe and the United States. The Moroccan paintings are all vague, shadowy scenes painted in one predominant hue with thick, scumbled passages over rich glazing on a white ground. The blue and green palette of Moonlight: Walls of Tangiers has shades of yellow, peach, and purple. Tanner had begun to experiment with pigments and glazes around 1907 and by World War I was almost exclusively using the complex technique of layered glazes. Perhaps it was his renewed acquaintance with the Orient that enabled Tanner to develop the more resonant and colorful painting style characteristic of his art from about 1910 until his death in 1937.

Detaljer om kunstverket

Tittel av kunst: "Moonlight, Walls of Tangiers"
Klassifisering av kunstverket: maleri
Generell kategori: moderne kunst
Periode: 20. århundre
Opprettet i året: 1914
Alder på kunstverk: mer enn 100 år
Medium av originale kunstverk: olje på lerret
Original kunststørrelse: 25 7/8 x 21 1/4 tommer (65,72 x 54,1 cm)
Museum: Los Angeles County kunstmuseum
Museumsplassering: Los Angeles, California, USA
Museets webside: www.lacma.org
Lisens for kunstverk: offentlig domene
Med tillatelse fra: Los Angeles County Museum of Art (www.lacma.org)

Bakgrunnsinformasjon om artisten

Artist: Henry Ossawa Tanner
Alias ​​navn: Tanner Henry Owassa, Tanner Henri, Tanner Henri Ossawa, Tanner Henry Ossawa, Henry Ossawa Tanner, Henry Owassa Tanner, Tanner
Artist kjønn: mann
Kunstnerens nasjonalitet: amerikansk
Jobber til artisten: universitetslærer, maler
Land for artisten: Forente Stater
Klassifisering av artisten: moderne kunstner
Døde i alderen år: 78 år
Fødselsår: 1859
Født på (sted): Pittsburgh, Allegheny fylke, Pennsylvania, USA
Død: 1937
Dødssted: Paris, Île-de-France, Frankrike

Produktspesifikasjonene

Artikkel kategorisering: kunsttrykk
reproduksjon: reproduksjon i digitalt format
Fremstillingsteknikk: UV-direkte utskrift (digitaltrykk)
Produksjon: Tyskland
Lagertype: produksjon på forespørsel
Foreslått produktbruk: boligdesign, vegggalleri
Justering: portrettjustering
Størrelsesforholdet: 1: 1.2 - lengde: bredde
Tolkning av bildeforhold: lengden er 20% kortere enn bredden
Materialer du kan velge mellom: plakatutskrift (lerretpapir), metalltrykk (aluminiumsdibond), akrylglassprint (med ekte glassbelegg), lerretstrykk
Alternativer for lerretstrykk (lerret på båre): 50x60cm - 20x24 ", 100x120cm - 39x47"
Akrylglassutskrift (med ekte glassbelegg) størrelsesalternativer: 50x60cm - 20x24 ", 100x120cm - 39x47"
Postervalg (lerretpapir) størrelsesalternativer: 50x60cm - 20x24 ", 100x120cm - 39x47"
Alternativer for Dibond-utskrift (alumniummateriale): 50x60cm - 20x24 ", 100x120cm - 39x47"
Innramming av kunsttrykk: vær oppmerksom på at dette produktet ikke har noen ramme

Velg ønsket materiale

Produktmenyen gir deg sjansen til å velge størrelse og materiale du ønsker. Velg din favorittstørrelse og materiale blant følgende alternativer:

  • Dibond-trykk i aluminium (metall): These are metal prints on aluminium dibond with an impressive effect of depth, creating a modern look thanks to a non-reflective surface.
  • Plakat (lerretmateriale): De Artprinta poster is a UV printed canvas paper with a granular finish on the surface. A poster is designed for putting the fine art print with a personal frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin 2-6cm round about the work of art to facilitate the framing with your custom frame.
  • Det blanke akrylglasset: An print on acrylic glass, which is often referenced as a fine art print on plexiglass, will change the original work of art into amazing décor. The artwork will be made with state-of-the-art UV direct print technology.
  • Lerretstrykk: A canvas direct print is a printed canvas stretched on a wood stretcher. A canvas has a sculptural impression of three dimensionality. The canvas produces a cosy and comfortable effect. A canvas print has the great advantage of being relatively low in weight. That means, it is easy to hang up your Canvas print without any wall-mounts. Canvas prints are suitable for any type of wall.

Sammendrag av kunstprodukter

De moderne kunst masterpiece was made by the American artist Henry Ossawa Tanner. Originalen måler størrelsen: 25 7/8 x 21 1/4 tommer (65,72 x 54,1 cm) og ble produsert med mediet olje på lerret. The work of art is included in the Los Angeles County Museum of Art's collection. With courtesy of: Los Angeles County Museum of Art (www.lacma.org) (licensed: public domain).: . In addition to this, the alignment is portrett med et sideforhold på 1: 1.2, noe som betyr det lengden er 20% kortere enn bredden.

Juridisk merknad: We try whatever we can in order to depict the products in as much detail as possible and to illustrate them visually. Nevertheless, the pigments of the print materials and the imprint can diverge somehwat from the representation on the monitor. Depending on the screen settings and the quality of the surface, not all color pigments will be printed 100% realistically. In view of the fact that all our are processed and printed manually, there might also be minor deviations in the motif's size and exact position.

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