Paul Cézanne, 1880 - Utsikt over Domaine Saint-Joseph - kunsttrykk

The piece of art "View of the Domaine Saint-Joseph" painted by Paul Cézanne som din egen kunstkopi

"View of the Domaine Saint-Joseph" was painted by Paul Cézanne. The beyond 140 year-old original measures the size 25 5/8 x 32 tommer (65,1 x 81,3 cm) og ble laget med olje på lerret. The work of art is in the the art collection of The Metropolitan Museum of Art. We are delighted to mention that this public domain piece of art is being provided with courtesy of The Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Wolfe Fund, 1913. Moreover, the artpiece has the following creditline: Catharine Lorillard Wolfe Collection, Wolfe Fund, 1913. Dessuten er justeringen av den digitale reproduksjonen landskap and has a ratio of 1.2 : 1, meaning that the length is 20% longer than the width. Paul Cézanne was a male painter of French nationality, whose style can be attributed primarily to Impressionism. The Impressionist artist lived for 67 år og ble født i 1839 og gikk bort i året 1906.

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In the dropdown lists right next to the article you can choose your individual material and size. You can choose your your favorite size and material among the following options:

• Aluminium dibond: Aluminium Dibond prints are metal prints with an impressive effect of depth. The Aluminium Dibond Print is the ideal start to art prints on aluminum. For the Direct Aluminium Dibond option, we print your selected artpiece on the surface of the aluminum material. Colors are luminous, fine details of the print are very clear, and there’s a matte appearance you can literally feel. This print on Aluminum Dibond is one of the most popular entry-level products and is an extremely sophisticated way to display fine art prints, as it draws focus on the artwork.
• Lerretstrykk: A canvas print is a printed cotton canvas mounted on a wooden frame. Canvas Prints have the advantage of being relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without the help of extra wall-mounts. Hence, a canvas print is suitable for all types of walls.
• Plakatutskrift (lerretmateriale): Our poster print is a UV printed canvas with a slight finish on the surface. It is suited for framing your art print with the help of a special frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6 cm round about the work of art, which facilitates the framing with your custom frame.
• Glanset akrylglassutskrift: A glossy acrylic glass print, often denoted as a print on plexiglass, will convert the original work of art into brilliant décor. The great advantage of a plexiglass fine art print is that contrasts and small image details will be visible thanks to the fine gradation. The real glass coating protects your selected art print against sunlight and external influences for many years.

Juridisk ansvarsfraskrivelse: We try whatever we can to depict our art products as exact as possible and to demonstrate them visually in our shop. At the same time, the colors of the print materials, as well as the printing may differ to a certain extent from the image on your screen. Depending on the screen settings and the nature of the surface, not all color pigments can be printed one hundret percent realistically. Because all our art reproductions are printed and processed manually, there might also be slight differences in the size and exact position of the motif.

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Generell informasjon gitt av museet (© - av Metropolitan Museum of Art - www.metmuseum.org)

Despite the many areas of canvas left bare, this is one of the few paintings Cézanne signed and thus regarded as "finished." It shows a view of the Jesuit estate of Saint-Joseph, situated on a hill, the Colline des Pauvres, on the road between Aix and the village of Le Tholonet, an area beloved by the artist since his youth. This picture was the first by Cézanne to enter an American museum: the Metropolitan acquired it from the historic Armory Show in 1913, for the highest price of any work in the exhibition.