Patrick Nasmyth, 1828 - Nær Penshurst, Kent - kunsttrykk

Background information on the artwork, which has the title "Near Penshurst, Kent"

i 1828 Patrick Nasmyth created the modern art painting. The version of the masterpiece measures the size of 27 1/2 x 36 1/4 tommer (69,9 x 92,1 cm). Olje på tre was used by the European painter as the medium of the painting. Today, this work of art can be viewed in in the The Metropolitan Museum of Art's digital art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This offentlig domene mesterverket leveres med tillatelse fra Metropolitan Museum of Art, New York, Erfaring fra Maria DeWitt Jesup, fra samlingen til mannen hennes, Morris K. Jesup, 1914. Kredittgrense for kunstverket: Arv fra Maria DeWitt Jesup, fra samlingen av mannen hennes, Morris K. Jesup, 1914. Videre er justering av digital reproduksjon liggende med et bildeforhold på 4: 3, which implies that the length is 33% longer than the width. Patrick Nasmyth was a male painter, whose art style can primarily be assigned to Romanticism. The Romanticist artist was born in the year 1787 in Edinburgh, Edinburgh, Scotland, United Kingdom and died at the age of 44 in 1831 in London, Greater London, England, United Kingdom.

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• Aluminium dibond (metalltrykk): An Aluminium Dibond print is a print material with an impressive depth effect - for a modern look and a non-reflective surface structure. The UV print on aluminium is the most popular entry-level product and is a sophisticated way to showcase artworks, because it puts all of the viewer’s focus on the artwork.
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Ytterligere informasjon om det originale kunstverket fra nettstedet The Metropolitan Museum of Art (© Copyright - av The Metropolitan Museum of Art - Metropolitan Museum of Art)

Patrick Nasmyth was known as "the English Hobbema." The influence of seventeenth-century Dutch landscapists such as Meyndert Hobbema (1638–1709) and Jacob van Ruisdael (1628/29–1682) is amply evident in this charmingly ramshackle scene of country life. Painted in 1828, it is one of several depictions of the same view—the subject was exceptionally popular—including an extremely close variant now in the Art Gallery of Ontario, Toronto.